Issue 5 Articles 1 Reds and Pinks - Susie Pratt interviews Ruth Thomas-Edmond 2a. cadavre equis - Chloe Lane 2b. so I mulled it over for a while until a good approach became apparent - Chloe Lane 2c. In one ear - Kate Brettkelly-Chalmers 3 Consumption and Dialogues - Tahi Moore 4 Ceili Murphy talks to Yuk King Tan Cover art work "Reds and Pinks", Ruth Thomas-Edmond
		Issue 4 Articles 0. Editorial - Eve Armstrong, Chloe Lane, Rachel O'Neill and Susie Pratt 1. Little Babylon - Tahi Moore 2. CUT ME DOWN & Build- Tanielu de Mollard 3. Discussion - MJ Kjarr and Sriwhana Spong 4. Bond, Structure - Morgan Lawrence-Bach In Issue 4 we invited artists and writers to form a pair. Accordingly each of the four artist/writer pairs and the four posters in Crease Issue 4 present a number of distinct and varied responses by the writers and artists to the collaborative situation they are in - even being seen together, as respondents, paired in the first place is a potential point of departure in this Issue. Cover art work by Simon Esling (detail right), LBC (Photo by Conor Clark), Sriwhana Spong, Jason Lindsay
		Issue 3 Articles 0. Editorial - Chloe Lane, Rachel O'Neill and Susie Pratt 1. Short Reviews 2. Balancing The Act - Chloe Lane 3. Blackholed - Pansy Duncan 4.Serial Number - Tahi Moore 5. To Eb and Flo - Rachel O'Neill 6. Toying with expected dimensions - Helen Stewart. Crease Issue 3 features the Elam Graduate Show 2004. Chloe Lane discusses adhesives of the conceptual, risk taking variety, Pansy Duncan encounters Rachel O'Neill's installation and looks for the artist in a blackhole. Tahi Moore explores documentary and the necessity of lies in Donna Sarten's work, Helen Stewart is drawn in by windscreen wipers and toys with dimensions in Susie Pratt's workstations and Kate Whelans's installation is explored by Rachel O'Neill as she goes unconscious. The poster image is composed of sixteen images selected from a group of 100 by Brooke Woolley. In this series Woolley reissues old New York Book Review covers, hand-worked, mediated and biased. Cover art work by Brooke Wooley
		Issue 2 Articles 0. Editorial - Eve Armstrong, Rachel O'Neill and Susie Pratt 1. Short Reviews - compiled by Eve Armstrong 2. Asking questions, giving opinions - Eve Armstrong interviews Jakob Kolding 3.Matt Ross Interviews Mark Adams 4. A descriptive textA descriptive text, an art work, an art work with an explanation; describing non descriptions - Tahi Moore 5. Playing with Cliches - Rachel O'Neill Interviews Tiong Ang 6. A Little Wooden - Chloe Lane 7. The Auckland Project - Susie Pratt & Rachel O'Neill 8. Local Secondary Industries - Simon Denny interviews Ngahiraka Mason and Ewen McDonald, co-curators of the 2nd Triennial.doc.doc Crease Issue 2 focuses on the 2nd Auckland Triennial – ‘Public/Private’ 2004 - to discuss processes of selection that inform the production, presentation and reception of art works engaged in events, such as Triennials. This issue features interviews with Artists and Curators involved in the Triennial, reviews of the art on display and discloses formerly private comments from the public on the Triennial ‘Public/Private’. Cover art work by Polly Borland
		Issue 1 Articles 1.Introduction - Yuk King Tan Crease's inaugural issue initiates the freeform review fold-out publication that will continue to bend and reform with each new issue. Commentary and action are the main functions of the project, we hope each issue will operate as a vehicle for conversation and debate, a site of patterns, folds, marking history while suggesting new territory, creases… The center-fold for Crease Issue One is ‘Webbed Gun’ by Kirsten Dryburgh Cover art work by Kirsten Dryburgh